L'essentiel est de faire c'qu'on aime the main thing is to do what we like and as we want Savourer l'existence comme on peut, Enjoying existence as we can, On pense et l'esprit dit fais le, we think of it and the spirit says do it!įonse tant qu'on respire et qu'on est libre try hard as long as we breathe and are free! Vu que a vie n'est qu'un test because life is a testĮt que toutes les situation sont completexes And all situations are complex On desire toujours faire miuex, We always want to do better Un besoin unique vecu jour et nuit Just one need, lived night and day Le theme c'est de rue dedie a c'qui pratique The theme is street art, dedicated to thoseĮt c'qui aime ce putain d'art de rue who practice it and who love this whore of street art,Ĭ'que dance sur la piste sur la pierre ou a la zone those who dance on the runway on stone or in the hoodĬeux qui mixe c'qui parle sur la zic et c'qui those who mix, those who speak about the music andĬ'est un mode de vie, qqc qui nous rend serieux It's a lifestyle, something that makes us serious Jusqu'au bout art de rue Street art forever! Sans nous vient la chaleur this is where the heat comes fromĭJ, Breaker,B -Boy Graffeurs, Beatbox DJ, breaker, B-Boy, graffiti writer, beat box Jusqu'au bout art de rue street art foreverĪmbience scandale danses de vandales Scandalous ambiance, vandal dances Gloire a l'art de rue Glory to the art of the street OLD SCHOOLĮnglish translation of the beginning of the song: ![]() Hip hop, especially rap, has given the youth of these communities a way to speak out about unemployment, violence, tension between the community and the police, and other social problems. ![]() Most francophone rappers are immigrants from the Paris arondissements that ring the center of the city, or from Marseille, a Mediterranean seaport on the southern coast of France. Video Presentation: Globalization of Rap and Hip Hop 2 - Rap and Hip Hop around the World FRANCE France was one of the first countries to adopt hip hop culture and to develop rapping in a language other than English. In most countries outside of the U.S., rap began as a means of presenting social and political commentary and only later branched into sub-genres that were more mainstream and commercial. Hip hop went through a process of adaptation as young people fashioned the culture to their own national and cultural identities and began to rap about issues important in their lives. old school period were disseminated worldwide beginning in the early 1980s - mainly by the movies Wild Style, Beat Street and the end segment of Flashdance - and in following years by international tours by Public Enemy and other U.S. The forms of art, dance, and music that were developed in the U.S. Music in Global America Main Menu COURSE INTRODUCTION AFRICAN MUSICAL TRADITIONS AND AFRICAN-AMERICAN MUSIC IRISH AND IRISH-AMERICAN MUSIC MUSIC OF THE ARAB WORLD AND ARAB AMERICANS GLOBAL RAP AND HIP HOP CUBAN MUSIC IN AMERICA KLEZMER SOUTH KOREAN POPULAR MUSIC NORTENO & TEJANO THE MUSIC OF NORTHERN MEXICO AND MEXICAN-AMERICANS CALYPSO, SOCA, AND CARNIVAL Marc Thorman f2b57c456bb408491ab2cdffaf869c4905420054 GLOBALIZATION OF RAP AND HIP HOP 1 T05:21:02-07:00 Colin McDonald ca930b0e7394f78ad796433f73d2077b97842b93 30914 18 plain T21:36:24-08:00 Marc Thorman f2b57c456bb408491ab2cdffaf869c4905420054 RAP & HIP HOP - GLOBALHip hop culture has spread to every corner of the earth. Please enable Javascript and reload the page. ![]() This site requires Javascript to be turned on.
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